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008   200516s2020----fi--------|||-000-0-eng|d
Autor/-in   LinkPennonen, Anne-Maria, Verfasser
Titel   LinkIn search of scientific and artistic landscape : Düsseldorf landscape painting and reflections of the natural sciences as seen in the artworks of Finnish, Norwegian and German artists / Anna-Maria Pennonen
Impressum   LinkHelsinki : The Finnish National Gallery, 2020
Umfang   247 Seiten : Illustrationen
Reihe   (Finnish National Gallery publications ; 3)
Gehe zu   Finnish National Gallery publications
Hochschulschrift   Dissertation University of Helsinki, Department of Philosophy, History and Art Studies, 2020
Zusammenfassung   This study examines the relationship between landscape painting in Düsseldorf and the natural sciences in the nineteenth century. The natural sciences here comprise meteorology, geology, geography and botany. The point of view provided by these fields offers an approach to the subject that has not been considered in Finnish art-historical discourse to date. The main focus is on the artworks of Finnish artists Werner Holmberg and Fanny Churberg, as well as those by Victoria Åberg, Magnus and Ferdinand von Wright, with essential comparison material provided by studying works by German artists Johann Wilhelm Schirmer and Carl Friedrich Lessing, and by Norwegian artists Hans Gude and August Cappelen. The primary material consists of sketches, studies and finished works of art. I reflect on the developments of the natural sciences in Germany, Norway and Finland in the 19th century, and how these affected the works of art, using the history of ideas and discourse analysis. The main temporal scope of this study falls between the years 1853 and 1880. The time period should not be understood too strictly, because it is not possible to talk about the relationship between landscape painting and natural sciences within these decades alone. During the first decades of the 19th century, artists in Dresden were interested in natural sciences, as well as drawing and painting studies from nature. The same trend continued in Düsseldorf, starting in the 1820s, where it was considered essential to observe the landscape in a ‘proper fashion’, and expressions such as ‘the new naturalism’ and ‘the truth of nature’ were widely used. Thanks to the activities of Johann Wilhelm Schirmer and Carl Friedrich Lessing in the field of open-air painting, the notion of naturalism gained the dimension it has been granted in this investigation. It was their example that encouraged younger artists to go out into nature.
 
 
Gesamtbestand   Alle Exemplare
Bibliothek   Basel Kunstmuseum, Magazin. Sign.: KM W 2020.645Bibliotheksinfo
 
Thema GND   LinkÅberg, Victoria, 1824-1892
  LinkCappelen, August, 1827-1852
  LinkChurberg, Fanny, 1845-1892
  LinkGude, Hans, 1825-1903
  LinkHolmberg, Werner, 1830-1860
  LinkHumboldt, Alexander von, 1769-1859
  LinkLessing, Carl Friedrich, 1808-1880
  LinkSchirmer, Johann Wilhelm, 1807-1863
  LinkTopelius, Zacharias, 1818-1898
  LinkWright, Ferdinand von, 1822-1906
  LinkWright, Magnus von, 1805-1868
Thema GND   LinkDeutschland
  LinkFinnland
  LinkNorwegen
Thema GND   LinkBotanik
  LinkDüsseldorfer Malerschule
  LinkGeografie
  LinkGeologie
  LinkLandschaftsmalerei
  LinkMeteorologie
Zeitschlagwort GND   LinkGeschichte 1780-1900
Formschlagwort GND   LinkHochschulschrift
ISBN   Link978-952-7371-10-7
  Link952-7371-10-4
Systemnr.   007201802
LC no.   NX550

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